1.0Belgian Arthttps://dev.belgianart.be/en/rich600338<blockquote class="wp-embedded-content" data-secret="hPlFKTeTPV"><a href="https://dev.belgianart.be/en/product/ligne-a-deux/">Ligne à Deux</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://dev.belgianart.be/en/product/ligne-a-deux/embed/#?secret=hPlFKTeTPV" width="600" height="338" title="“Ligne à Deux” — Belgian Art" data-secret="hPlFKTeTPV" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://dev.belgianart.be/wp-includes/js/wp-embed.min.js </script> https://dev.belgianart.be/wp-content/uploads/2023/11/cropped-Logo-meesters-van-het-realisme-1-e1701774067476.png506318In Ligne à Deux, Hildegarde Handsaeme masterfully explores the relationship between line and structure, presenting two female figures engaged in a quiet and balanced dialogue. The purity of the line reduces form to its essence, while carefully composed color fields introduce rhythm and architectural depth. The interaction between the figures suggests both connection and autonomy […]